Elizabeth Bennet thought she was prepared to do anything to make the Dragon Conclave accept her beloved young dragon Pemberley into the Blue Order, but she had not anticipated it would leave her banished from her ancestral home and betrothed to none other than Mr. Darcy. But before Elizabeth and Darcy wed, they must find a dangerous rogue dragon before it provokes a war amongst the dragons and brings the fragile peace between dragons and mankind to a catastrophic end.Nothing written in the annals of dragon lore has prepared Elizabeth to manage a dragon not governed by the Blue Order. Dragons have always loved her, but this one finds her arrogant, selfish and insensitive to others. With only her instincts to guide her, she must convince the rogue of her good intentions before the Blue Order loses patience and decides on more drastic measures.Called away to the other side of the kingdom, trying to settle the dragons’ unrest, Darcy learns the nature of the force poisoning the rogue dragon against Elizabeth. One nearer and dearer than they could have imagined.Can Elizabeth and Darcy convince with rogue dragon to cooperate before darker forces turn it against them, without destroying the fragile bonds uniting the couple?
Five time BRAG Medallion Honoree and #1 best selling Historical Fantasy author, Maria Grace has her PhD in Educational Psychology and is a 16-year veteran of the university classroom where she taught courses in human growth and development, learning, test development and counseling. None of which have anything to do with her undergraduate studies in economics/sociology/managerial studies/behavior sciences. She pretends to be a mild-mannered writer/cat-lady, but most of her vacations require helmets and waivers or historical costumes, usually not at the same time.She writes gaslamp fantasy, historical romance and non-fiction to help justify her research addiction.
Benjamin Fife has always had a passion for learning. With a mind that remembers all sorts of numbers and useless trivia, he regularly wins local radio shows and enjoys confusing people with sci-fi quotes. Fife grew up in Southeast Idaho. He attended college at Idaho State University, where he met his future wife in their music theory class. They have been married nearly 20 years and now have six children and a whole menagerie of animals. When their oldest daughter was three or four years old they started reading aloud from novels every night at bedtime, and have continued the tradition ever since. The family loves exploring various worlds and topics through Fife’s wonderful reading skills, which get better every year. They all have his Christmas Carol voices memorized (and the older kids are known to quote along with portions), since he has read it to them every December. Benjamin enjoys all kinds of sci-fi and fantasy – both books and shows, is an extreme eclectic music lover, and prefers his chocolate to be of the 90% cocoa variety. Above all, he loves to be with his family. He loves recording audio books, and is delighted to tell people, “I’ve finally found what I want to be when I grow up!”
I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Benjamin Fife. The gifting of this audiobook did not affect my opinion of it.
Behind-the-Scenes with Narrator Benjamin Fife
I got into narrating because I love literature. I personally have listened to or read the complete works of Charles Dickens. I love Austen too.
I was first introduced to Pride and Prejudice nearly 20 years ago about 3 months before I met my wife. I was spending time with a longtime friend who was getting over a bad breakup.
Watch this movie with me–said she. I didn’t realize it was a 6 hour production.
As you might guess, I fell hard for her while we watched it over the next week, one installment at a time. She still thought of me as just a friend. She prophetically said that come 2 months later I’d meet some cute freshman & I’d be just as happy as Lizzy & Darcy at the end of it all.
Now two decades down the road, she married the guy she had broken up with, I wed that adorable freshman, and both marriages now boast 6 kids apiece.
Starting when my oldest was about 6, we started taking turns picking what book to read as a family every night. With a handful of exceptions, I’ve been the voice for all the books ranging from Jane Eyre to Hank the Cowdog; from Lord of the Rings to Louis Lamour.
I had often thought about turning my passion for reading aloud into more than that. In February of 2018, I dove in. As I’ve looked for books to audition for and connected with authors, I’ve loved what I’ve learned from each book & each writer in the production process.
But there is no other book or series that has brought me as much satisfaction to voice as Maria Grace’s Jane Austen’s Dragons.
The Road to Becoming a Dragon Narrator
Earlier this year when I saw Pemberley up for audition, I had to try! I adore Austen & I adore dragons! What could be better? When I auditioned, I did 2 takes for Maria – one with a “straight read,” and one with “effects.” I’ve used a little bit of effects on my voice in previous books, but by volunteering to not only voice each dragon differently, but then alter the audio to a more ‘size appropriate’ voice, I was jumping in with both feet.
(I had a sense this was going to be a big, complicated project from the get go, but I really didn’t fully realize it until we got started on it all!-mg)
Let me give you a rundown of the whole Audiobook production process:
Find a Title/Author you want to work with
Read the audition material & plan your characterizations, accents etc
Read the whole book & plan characterizations, accents, etc again.
Communicate with the author about their wishes.
Record the whole thing, redoing any line you make any kind of error on. And sometimes that means 5 times. Not often ,but sometimes, there’s a tongue twister (You try saying “the courtship twas by your world rules” in a thick Scottish accent complete with rolled r’s– not from Maria’s book.
Listen to the whole thing and edit out any outtakes, errors, mouth noises, dog barking, wife scaring the *&% out of you in the middle of a chapter, etc…
Master the file so it can pass muster for QC of an audio book
Send it to the author/publisher to listen to.
Fix any additional errors and performance issues to the satisfaction of the author & yourself.
Repeat the last 4 steps as many times as needed.
Send it to Audible to sell
Promote the heck out of it.
So it’s a bit of a production to begin with. You add in needing a different effect for a dozen different characters & you can imagine what that does. Still, I love it. Maria & I both hope you love what I’ve done to bring her world to life.
Midway through production on Pemberly, I messaged Maria to ask if she could send me the whole series so my family could read it too. My wife & 2 oldest daughters had it finished before I had a chance to finish recording Pemberley.
Maria’s writing is superb. I love how true she is to the original characters, while changing it up enough to make it a delightfully new story. Some of my favorite moments in the series are when she takes Austen’s original dialogue, or sometimes back narration & gives it to a different character to say. In book 1 (Pemberley), she sticks pretty close to Austen’s original plot fairly closely up to Netherfield ball. In the remainder of the series, there are similarities to the original, but the plot veers off course considerably. I loved it.
When Maria got my initial recording of Pemberly’s voice at the end of book 1, Maria thought it sounded like Audrey II (Little Shop of Horrors). I wasn’t very sure about the voice I had selected either, so I had no problem redoing it for her. Now what we’re going for is a little closer to Littlefoot (Land Before Time).
When she initially released a preview of the Pemberley audiobook on her website, one of her followers thought I was Richard Armitage (North & South, Thorin Oakenshield from Peter Jackson’s The Hobbit). As an Idahoan who has never even left North America, I was flattered. I guess I must be doing something right.
In the middle of recording Chapter 8 of Longbourn, I heard a vague tapping at the window of my recording booth. I was in the middle of a rather fraught with emotion section & I thought in the back of my head vaguely that I’ll push through to a good stopping place & see what it was. Then I glanced up. It was 9:30 at night, dark outside, and a pair of eyes were staring at me in the window.
I uttered a cry of terror quite possibly unlike any other shriek I have ever uttered. Once my non-primal brain woke back up, I realized it was that adorable freshman I fell in love with peeking in at me & I started laughing in a breathy-recovering-from-terror kind of way. And now its recorded for posterity complete with my love’s delightful giggle as she entered my booth to make sure I wasn’t dead. I took a ten minute break with her, sprayed my throat with some magic stuff & finished the rest of the chapter. Never a dull moment.
In producing Longbourn, voicing a conversation of Fairy Dragons & getting their voices to pass muster with both myself & Maria is somewhat maddening. Senseless little bits of fluff.
Some of my other favorite things are reading the reviews on the audiobooks for Pemberly on Audible and finding out I’m now one of someones 3 favorite narrators. Aww, thanks.
My very favorite dragons to voice in the series are Walker, Longbourn (even though he’s a brat) Drew, Cait & Rosings, and Chudleigh. It also might interest listeners to know that for Lady Catherine, Rosings & Cait, I use the exact same voice & similar inflections & then speed them up or slow them down for the character.
In looking forward to more books in the Jane Austen’s Dragons series, I’m excited that Maria is branching out to Persuasion & Northanger Abbey. I can’t wait to see what she does! I’d still love it if she expanded the universe even more – you know, Victor Hugo’s Dragons… Jack London’s Dragons… But she can only write so fast. 🙁
I also love the idea that Pemberly is still alive & kicking today. My theory is that she runs the Westminster Dog show with whoever her current keeper is.
Thank you so much Maria for letting me be a part of this universe you’ve created, and thank you readers & listeners for all your feedback on our audiobooks. I hope you love Jane Austen’s Dragons as much as I do!
Narrator Benjamin Fife’s ‘Top 10 Reasons to Listen to This Series’
Dragons
Jane Austen
The writing is Great – Maria Grace knows her stuff & has researched it.
With 62 ratings on Audible so far, it’s sitting at 4.7.
You want to hear my performance for all the different dragon species.
The 2 ish somewhat negative reviews are such that you just have to hear for yourself to decide if they’re right.
You love Pride & Prejudice, but there were some things that you just wanted to yell at the characters. The Dragons do that for you.
Because It’s either this, or Moby Dick. Drat the File & Drat the Bone!
You just finished listening to the Mueller Report & want to listen to a book that doesn’t have the word “Redacted” anywhere in it.
Darcy thought his problems were over when Pemberley hatched and successfully imprinted on humans. But baby dragons prove far more difficult than any dragon lore prepared him for. Only Elizabeth Bennet’s notes offer him any help. When his imperious Aunt Catherine takes matters into her own hands, things take a turn for the worse and Pemberley’s life hangs in the balance. He desperately needs more of Elizabeth’s help, but she ignores all of his requests. Elizabeth, though, has problems of her own. After the Bennet family dragon sent Pemberley away, life at Longbourn was supposed to return to normal and Elizabeth get on with the all-important business of marrying the heir to her father’s estate. Except that he is the last man in the world whom she could ever be prevailed on to marry – a bumbling, addle-pated dragon-hater who demands she gives up the dragons she lives for. Can she, with the help of her dragon friends, find her way back to Pemberley before they both suffer their fate from the Dragon Entail? Jane Austen meets Anne McCaffrey’s Dragon Riders of Pern. A must-listen for Pern fans.
Five time BRAG Medallion Honoree and #1 best selling Historical Fantasy author, Maria Grace has her PhD in Educational Psychology and is a 16-year veteran of the university classroom where she taught courses in human growth and development, learning, test development and counseling. None of which have anything to do with her undergraduate studies in economics/sociology/managerial studies/behavior sciences. She pretends to be a mild-mannered writer/cat-lady, but most of her vacations require helmets and waivers or historical costumes, usually not at the same time.She writes gaslamp fantasy, historical romance and non-fiction to help justify her research addiction.
Benjamin Fife has always had a passion for learning. With a mind that remembers all sorts of numbers and useless trivia, he regularly wins local radio shows and enjoys confusing people with sci-fi quotes. Fife grew up in Southeast Idaho. He attended college at Idaho State University, where he met his future wife in their music theory class. They have been married nearly 20 years and now have six children and a whole menagerie of animals. When their oldest daughter was three or four years old they started reading aloud from novels every night at bedtime, and have continued the tradition ever since. The family loves exploring various worlds and topics through Fife’s wonderful reading skills, which get better every year. They all have his Christmas Carol voices memorized (and the older kids are known to quote along with portions), since he has read it to them every December. Benjamin enjoys all kinds of sci-fi and fantasy – both books and shows, is an extreme eclectic music lover, and prefers his chocolate to be of the 90% cocoa variety. Above all, he loves to be with his family. He loves recording audio books, and is delighted to tell people, “I’ve finally found what I want to be when I grow up!”
I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Benjamin Fife. The gifting of this audiobook did not affect my opinion of it.
Q&A with Narrator Benjamin Fife
When did you know you wanted to be an audiobook narrator?
Going way back to 8th grade (‘92?) – in my speech class we were required to do a read aloud from a book for the class. I chose the novelization of The Empire Strikes back & did the iconic scene where Darth Vader reveals (SPOILER ALERT) he is Luke’s father. I did it complete with a jar for the Vader echo. Still love that scene. Fast forward a few years & when I met my wife, we started reading aloud to each other. I started thinking about doing it then (early 2000’s), but life was busy happening. We had our first kid in 2003 & from about the time she was 5 or 6 years old, we’ve taken turns picking what we wanted to read as a family every night. We’ve read silly, serious, Fiction, non fiction. I found it somewhat maddening when I read Jane Eyre to the kids – The oldest couldn’t have been more than 11 or 12 – and the two oldest girls were able to guess the plot points before they happened. Right down to (Spoiler alert) “I Bet his wife will jump off the Roof.” Though we do sometimes take turns, I’ve probably read 4/5ths of the books at least. I didn’t really know how to get into doing audiobook narration, but I knew it was something I wanted to do.
How did you wind up narrating audiobooks? Was it always your goal or was it something you stumbled into by chance?
Almost exactly 2 years ago, I got home from work one day & my wife said, “Hey, you should check out this ACX thing.” That night I set up my account. The next day I attended an uncle’s funeral. When one of my cousin’s I hadn’t seen for probably a decade asked me what I’ve been doing, after the normal update of job, kids etc, on a whim I said “And I narrate Audiobooks.” My first official audition was for one of his books (Prior to the conversation, I didn’t know he was an author). For the record – My audition was abysmal & he thankfully went with a different narrator – however, next month I’m recording Walls of Glass for him (J.W. Elliot) My audition for that one he said was head and shoulders above anything else he got.
Did you find it difficult to “break into” audiobook narration? What skill/tool helped you the most when getting started?
Short answer – No, not really. I would say the best tool & skill that has helped me to move forward continually & exponentially, is passion though. I LOVE narrating. I LOVE storytelling & bringing books to life. My wife told me I should put on here years & years of practice as well.
A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career?*
I took Drama for 3 years in High School & I’ve always had a dramatic flare. I’ve never been cast for more than a bit part though, but it’s also not something I’ve ever tried to actively pursue. The acting ability of a narrator is essential however, and now that I am narrating, I’m using a lot of the skills I developed in Kay Jenkins’ Drama class more than 20 years ago. I’ve also always enjoyed improv games that I initially learned in that class. There are 2 main schools of thought I’ve found in audiobook narration – That of the “Strait read” or that of the “Characterized Read.” I’ve listened to both & by far I prefer the latter, but my imagination can fill in the blanks on a strait read as well.
What type of training have you undergone?
Aside from my 3 years in drama studying dialects & the 12 guideposts, I sang in choirs in college at Idaho State University & University of Idaho – both under some brilliant conductors – Scott Anderson (ISU), Rager Moore (U of I), and Dan Buckvich (U of I). Scott & Rager’s rehearsals were more of a group vocal lesson. Dan’s was in a VERY large jazz choir & he was amazing at getting hundreds of people to enunciate incredibly clearly. Years later, my wife & I ran a music store and I had a number of private lessons with Paul Harms, who had been principle tenor of the LA opera theatre for many years. Paul was a very nuts & bolts vocal instructor.
How do you manage to avoid burn-out? What do you do to maintain your enthusiasm for narrating?
I haven’t gotten incredibly burned out on anything yet. Sometimes I get a little bored in the editing process. If I do find myself getting burned out on something, I’ll take a break from it. I also find a good way to keep my skills up & enthusiasm up is to keep auditioning for new titles. The downside of that (sort of) is that if I get selected for all of them, I’ll be booked for a decade or so. But I also don’t audition for something unless it interests me at least a little.
Are you an audiobook listener? What about the audiobook format appeals to you?
ABSOLUTELY! When my wife & I were in college, we delivered newspapers ridiculously early & would frequently check out books on tape from the library. I’ve gone up & down with listening, much more UP of late. My day job is a 40 minute commute, so it’s perfect for listening. When I can the dayjob, I’m going to be healthier though, because I still want my listening time so I’ll be walking for that time each day instead. I’ve listened primarily to classics on Librivox up until recently (in the last 2 years I’ve listened to or read the complete works of Charles Dickens). I now am trying to listen to an audiobook a week from a newer narrator/author. I try to review everything I read & listen to, so I listen to at least some of it at 1x speed. If it’s non-fiction, I’ll pump the speed up to about 1.9 & if it’s fiction I listen at about 1.3.
What are your favorite and least favorite parts of narrating an audiobook?
I hate waiting. (Inigo, Princess Bride). Waiting to find out if I get picked for the book, waiting for my schedule to free up so I can get to the one I REALLY want to narrate, waiting for the author to get me back any changes, waiting for ACX to approve it & make it live, waiting to see if anybody likes it.
I pretty well love everything else though. But I’m not incredibly fond of when an author is Uber picky in the editing process. I did one (no disclosure here as to what it was/ who wrote it, etc) that if I read “Said [character]” instead of “[Character] said,” they wanted me to fix it. In that book the author gave me basically one correction a minute, some of which were due to their writing errors. Not gonna lie, I got burned out on that title. That being said, I think my accuracy has improved from the experience.
What would you say are your strongest narration abilities?
I’m a really good storyteller. I love doing it & creating characters with the author. One thing I like to do with authors is kind of assemble who they would cast as such and such a character. With this series, we just kind of went with the BBC production cast & created the dragons as unique characters – Though come book 3 – Thalia is kind of channeling James T Kirk a little. One of my favorite minor characters I ever voiced in a book was Rabbi Wheaton in Father of the Bride of Frankenstein. He was Ben Stein as a Rabbi. Feel free to check it out.
What’s next for you?
Preserve, Protect & Defend – by Cameron Taylor
Their Greatest Game – Chronicles of Theren book II by C.D. Tavenor
Gather the Children (Book II from Earthbound) by Mari Collier
Walls of Glass by J.W. Elliot – This is by my cousin & is a great book designed to tear down barriers.
A Proper introduction to Dragons (Jane Austen’s Dragons prequel)
The Fringe Candidate by Bradford Swift
Those are the ones I’m currently under contract for at least. I’m definitely looking forward to Maria Graces dragon treatment of Persuasion that will be coming out this spring we hope. I might push a project or two down the line to squeeze it in when she’s ready. There’s a lot more in the pipeline beyond that too. Currently in talks with one author about doing a 12 book series he wrote 30 years ago.
And the other thing that is on the “what’s next for you” horizon. Quitting the Dayjob. That’s been my goal from 2 years ago & in the last year, I’ve waffled a bit about how soon, but I’m on the sooner rather than later side of things & I’m blessed with a partner who is incredibly supportive of me in this. A little over a year ago, I was feeling a little down because I hadn’t landed anything new recently & I got my royalty check from one month for like $5. I asked her if she was really ok with my still going with it. She told me she’s never seen me happier, so even if I never make anything with it, I’d better stick with it. She’s awesome.
Bonus question: Any funny anecdotes from inside the recording studio?
Speaking of Ms. Awesome… In the middle of narrating Longbourn – as Lizzie is fleeing Hertfordshire – I was rather into the narration at about 9:30 pm. My studio is a converted prebuilt shed outside our home (If anyone can guess why I call it Rex Iter studio, let me know & I’ll send you a free code to ALL of my books that I still have codes for). It has one little window right off of where I stand to record. So, emotionally fraught chapter, dark & quiet outside. My studio is not quite soundproof, so I’ll hear the occasional thing happening outside. I heard a couple of little bumps or something. So my subconcious brain is going, “If it affects the audio, I can do a retake, but I’m doing really well with this part and will just push on through.” Then I hear the bump-tapping again & look up. Ms. Awesome with Gowron Eyes watching me in the window. Normally, I scream like a girl when startled. What got recorded is a cry of utter terror, followed by her coming in & laughter. Enjoy. This just sums up our relationship. https://soundcloud.com/user-29643215/lonbourn-blooper-reel
Narrator Benjamin Fife’s ‘Top 10 Reasons for Voicing Jane Austen’s Dragons’
I love being able to do British accents.
I love Jane Austen
I love Classics
I love Dragons
I love stories that mash 2 things together that wouldn’t normally be found alongside each other.
I frequently will use “head Canon” to explain in my brain how many things that are traditionally thought of as fiction, could in fact be fact. Stargate. Star Trek. Wizarding World. The Free Kingdoms. Dragons. The Force. All True. Pemberly is still alive & runs the Westminster Dog show with the Darcy’s Descendants.
Maria Grace’s Writing is Superb.
I blame Sherilynn. She introduced me to Jane Austen.
Timothy Zahn hasn’t called me yet to record his books.
Being able to voice Dragons is positively delightful. How can anyone resist?
England is overrun by dragons of all shapes and sizes. Most people are blissfully unaware of them and the Pendragon Treaty that keeps the peace between human and dragon kind. Only those born with preternatural hearing, like Fitzwilliam Darcy and Elizabeth Bennet are able to hear and converse with dragonkind. When the first firedrake egg laid in a century is stolen from Pemberley, the fragile dragon peace teeters on collapse. Darcy has no choice but to chase down the thief, a journey that leads him to quaint market town of Meryton and fellow Dragon Keeper, Elizabeth Bennet. Elizabeth shares a unique bond with dragons, stronger than anything Darcy has ever experienced. More than that, her vast experience and knowledge of dragon lore may be the key to uncovering the lost egg. But Elizabeth can’t stand Darcy’s arrogance and doesn’t trust him to care properly for a precious baby firedrake. After all, he already lost the egg once. What’s to prevent it from happening again? Can he win her trust and recover the stolen egg before it hatches and sends England spiraling back into the Dark Ages of Dragon War? Jane Austen meets Anne McCaffrey’s Dragonriders of Pern. A must-listen for Pern fans.
Five time BRAG Medallion Honoree and #1 best selling Historical Fantasy author, Maria Grace has her PhD in Educational Psychology and is a 16-year veteran of the university classroom where she taught courses in human growth and development, learning, test development and counseling. None of which have anything to do with her undergraduate studies in economics/sociology/managerial studies/behavior sciences. She pretends to be a mild-mannered writer/cat-lady, but most of her vacations require helmets and waivers or historical costumes, usually not at the same time.She writes gaslamp fantasy, historical romance and non-fiction to help justify her research addiction.
Benjamin Fife has always had a passion for learning. With a mind that remembers all sorts of numbers and useless trivia, he regularly wins local radio shows and enjoys confusing people with sci-fi quotes. Fife grew up in Southeast Idaho. He attended college at Idaho State University, where he met his future wife in their music theory class. They have been married nearly 20 years and now have six children and a whole menagerie of animals. When their oldest daughter was three or four years old they started reading aloud from novels every night at bedtime, and have continued the tradition ever since. The family loves exploring various worlds and topics through Fife’s wonderful reading skills, which get better every year. They all have his Christmas Carol voices memorized (and the older kids are known to quote along with portions), since he has read it to them every December. Benjamin enjoys all kinds of sci-fi and fantasy – both books and shows, is an extreme eclectic music lover, and prefers his chocolate to be of the 90% cocoa variety. Above all, he loves to be with his family. He loves recording audio books, and is delighted to tell people, “I’ve finally found what I want to be when I grow up!”
I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Benjamin Fife. The gifting of this audiobook did not affect my opinion of it.
Q&A with Author Maria Grace
Do you believe certain types of writing translate better into audiobook format?
I’ve had narrators doing both non-fiction and fiction books for me and it has all worked. I believe that if it reads well—it’s engaging and interesting and hard to put down—then it will also listen well. But narrating excellent audiobooks is a really skill than not every narrator has.
Was a possible audiobook recording something you were conscious of while writing?
I thought a little about the possibility of doing audiobooks with the dragon series, but I was honestly so caught up in the complexities of creating the world that I didn’t really process he whole audiobook potential until much later.
Were there any real life inspirations behind your writing?
Definitely, though I will absolutely not be naming any names! I will say this difficult people are far more likely to wind their way into my stories than easy-going, delightful ones. Large, old, dragons to be rather cranky. Apparently I know a lot of real life dragons if you now what I mean. LOL
What do you say to those who view listening to audiobooks as “cheating” or as inferior to “real reading”?
Being a research nerd and a college prof for 16 years, I’d point to the research that says audiobooks tap the same parts of the brain as reading does. That’s pretty good evidence to suggest that there’s no cheating involved in audiobooks!
How did you celebrate after finishing this novel?
By starting the next one. This particular story required a three book arc to tie up all the plot points (though each book had a definite plot of its own). So I was itching to start the next one once I’d launched the first.
In your opinion, what are the pros and cons of writing a stand-alone novel vs. writing a series?
Hands down, I prefer to write series. I love the opportunity to hang out with the characters over a long period of time and really get to know them. Series offer the chance to create far deeper and more complex worlds and stories and I just love that.
What’s next for you?
Another book in the series! Seriously, I’m half way through the fifth book right now and hoping to have it done in March! If you’d like to keep up with news about it you can find me on RandomBitsofFascination.com.
Narrator Benjamin Fife’s ‘Top 10 Reason to be A Narrator’
Sometimes I get information before the general public
I become intimately familiar with each book I narrate, going through it no less than 3 times total in a relatively short period of time.
Ego. I love hearing that people love my work. The Positive reviews have far outstripped the negative & I’m able to learn from the negative, improve & run with it.
Last year I read probably twice as much as any other single year of my life because I was narrating all the time. I get paid to read books! How cool is that?
Catharsis. Not with every book, but many of the books I’ve performed have had some pretty emotional chapters that in performing them, I feel amazing after having done so. Kind of something I’ve discovered as I’ve gone that’s an extra bonus.
I only have to do what I want. If a project doesn’t appeal to me in some way, I don’t audition for it.
Happier than I’ve ever been.
Flexible work schedule.
I get to be in on the creative process with some truly brilliant people.
Vicarious Adventures. I’ve yet to be outside of North America. Like book lovers since the world began, I experience so much through the worlds created from the minds of those truly brilliant people I’m able to work with.